Why is Glendalough so dirty, Ugly and dangerous? County councils and Government departments have only one way of looking at our great early monastic sites—that is as cemeteries and as nothing but cemeteries. This has the peculiar effect of making them all look exactly alike: that is, like cemeteries, and Irish ones at that—all equally dirty, ugly and dangerous. Readers will know the pattern—a bit of round tower, a couple of small ruined churches, and acres of headstones and modern “Celtic” crosses, among which you may at any moment get stung by nettles or break your ankle. In this, Northern Ireland is no better than we are. Saul —St. Patrick’s Saul—is filthier than anything in the south, even Lemanaghan in Offaly, which I looked at despairingly a week or two ago, thinking of that loveliest of Irish poems that describes it Eclais aíbinn anartach, Aitreb Dé do nim, Sutralla soilisi iar sain Uas Scriptúir glain gil. (A lovely church, a home for God Bedecked with linen fine, Where over the white Gospel page The Gospel candles shine.) PECULIAR MESS On entering an ancient monument, you should be able to understand it, but in Ireland not only can you not see the difference between a local church and a monastery proper, you can’t see the difference between a monastery and a town. Some of these peculiar messes were towns. Most of you will know the standard joke about every Irish village, which is the cranky old man who says, “Ballybour is becoming a second Paris.” This is a joke that goes back at least to the eleventh century when a Kerry girl is made to say /is Ard Macha ar gnáthehl/—“‘Tis as bad as Armagh with the tourists.” With a modicum of intelligence you will deduce that at that time Armagh was as big a town as Dublin. NO WOMEN Now, if you look carefully at Clonmacnois, which I wrote of last week, you will see that it could easily be “as bad as Armagh with the tourists.” Nobody could ever have said that of Glendalough. The only building outside the walls of Clonmacnois is the Nuns’ Church, because though women were allowed in the monastery precincts by day, they had to leave them for the suburbs at night. (If the Offaly Co, Council gets its head, there will soon be no way of discovering where the suburbs lay). Clonmacnois is closely knit: it was a town on two main highways with an army of civilian workers and residents, which by the 8th century could raise a fighting force to deal with Durrow or Birr, two other growing monastery towns. There was no need for the Four Masters to omit details like these, because they were typical of Europe at the time, and imply no reflection on the piety of Clonmacnois, Durrow or Birr. PRAYER SANCTUARY Glendalough stands outside these conflicts. It is scattered for miles all over the valley, from Temple na Skelllg to St. Saviour’s, and a glance at the map should show you that under no circumstances could it ever be a town. Glendalough was a place where you said your prayers. The earliest tombstones you can date from it are of the 11th and 12th centuries, and when in the 8th century, in that wonderful poem I have already quoted, Aengus of Clonenagh calls it /ruaim iarthair betha/—“the sanctuary of the western world,” he was obviously speaking not of Its scholarship, its wealth or its beauty. So far as I know, it had very little of these. ONE PERIOD What does give Glendalough its distinctive flavour is that it is all very much of one period, and that a brief one. The places you can see are 10th to 12th century, and the 12th century accounts for most of them. Undoubtedly, this limitation is very closely linked with the development of the Norse-Lagin kingdom of Dublin, which completely upset the old political balance in Ireland, and Glendalough disappeared with it. It is half-Norse, half-Irish, it died about the year 1200, and the exquisite work in King’s Church, Clonmacnois and Clonfert, and Johannes beautiful doorways in Clontooskert and Clonmacnois have no correspondence here. Glendalough is mainly 12th century, except for the fine old doors preserved in St. Mary’s Reefert, and the Cathedral. Contrast, for instance, the names of the churches in Clonmacnois which have kept their old form like “Mael Sheehnaill’s Church” and “MacCarthy’s Church” with the dedications of the churches in Glendalough, like “St. Peter and Pauls Church,” “Our Lady’s Church,” “Trinity Church” and “St. Saviour’s Church.” All of these, particularly “St. Peter and Pauls Church.” show the influence of the Irish Reform movement and the passionate longing to be united again with Rome. BUILT-IN TOWERS St. Kevin’s Church and Trinity Church both have built-in rather than detached Round Towers, another feature of the late 12th century, as in Ferns. The beautiful Market Cross which you can see in St. Kevin’s Church has a Crucifixion with a Christ fully dressed, which is characteristic of the 12th century, and most striking of all, the monastery beside the hotel was walled and fortified with a two-storey gate tower and a paved road leading from it to the Cathedral. All this, unless I am gravely mistaken, is the work of one dominating, hard working character assoclated with the Irish reform movement, and the only person who can possibly fill the bill is Laurence. (Lorcan or Lorgan to you). INACCESSIBLE At the same time as he got masons from Dublin to rebuild the Cathedral, St. Laurence built another small monastery for himself about a mile down the river and it is a great pity that of many thousands who visit Glendalough, not more than one in a hundred sees St. Saviour’s It is close to the Dublin road, and needs only a short foot-path and a wooden footbridge to make it accessible, but the Board of Works and Bord Failte prefer to make us walk a mile of flooded lane and then descend a long field, which was first ingeniously ploughed and then allowed to grow wild again so that a sprained ankle should be counted as a possibility. St. Laurence's church was "restored" in the last century by the Board of Works and not since reconsidered. The “restoration” described by Dr. Leask in the admirable handbook which you can buy in St. Kevin’s Church, for 2/-, as “reasonably accurate if not entirely correct in all particulars” you can judge for yourself from our photograph of the east window. If the Board of Works is recruiting assistants, I have a six year old daughter who is well up to that level of accuracy Imagine a church built by St. Bernard—St. Laurence’s contemporary and equivalent—being treated that way by Frenchmen! BISHOP’S REGRET Photographing Reefert Church, I heard the photographer call: “Get them in!” In the picture, you can see me getting them in. The Bishop of Croydon, whom you can see on the extreme left, said “I've been here before. Why is it I always prefer Reefert?” I replied: “Perhaps because it doesn't have a modern cemetery.” He said: “You may be right but with the whole country to bury your dead in, wouldn't you choose anything but one of the greatest sites in early Christianity?” I nearly said: “Chum, what the hell do you think I've been saying?” but I remembered that you mightn't like my betrayal of our weaknesses. LOUT'S PARADISE But sooner or later we must face them. We are now the last country in Western Europe where one lout or twenty louts can do what they please with what belongs to European civilisation. He or they could do it in England up to 1877 when the Society for the Protection of Ancient Buildings was founded. Nearly a hundred years later, we still have nothing to correspond with William Morris’s organisation, and it is still open to any fool to obliterate for centuries or forever all the beauty of the past. Our past. Sunday Independent, 1964-06-14, pp.18-19